Don’t Be A Boring Shirt

I was at the laundromat and noticed something that I thought was an interesting parallel to screenplays these days.

The preponderance of boring shirts.

Oh there were blue striped ones, blue plaid ones, and of course various shades of good old blue, but as I scanned the racks it really struck me just how many variations of the same plain shirt people were having cleaned. Of course there were also beige and white shirts, gray and black coats, but near everyone, it seems, has “safe” blue shirts. What also stood out was that as the electric conveyer rack spun by, once in a while a shirt with color would pass, catching the eye and standing out. With so many trying to play safe & by the rules, the different one was easy to pick out. With thousands of screenplays written every year, the parallel is clear. Make yours the one that catches the eye.

Screenwriters often follow templates and guidelines when crafting their works, which is fine, but in a world where seemingly 99% are following the Save the Cat or similar formula (a bit too strictly for many), those who can work with structure yet offer something different, something that makes a reader pause and say, “wait, that’s unique” are the ones who stand out from the pack. Sometimes it’s a bright red shirt, but sometimes it’s just a thread of color that turns an otherwise plain piece of cloth into a fascinating design. Strive for fascinating, keep readers entertained.

Now obviously this doesn’t mean go write a script with charcoal and crayon on the hides of animals you killed with nothing but a fountain pen. That’s different alright (and pretty awesome if you actually used only a pen), but not what we’re talking about. The thing is to create a story that fits in the basic rules yet doesn’t plod along predictably from a-z. Everyone will have a different way to do this, but when reviewing your draft, look at it as though you were a reader tasked with slogging through 200 scripts a year. Are you more or less writing what everyone else is (within your own story naturally) or are you writing outside the box? What makes yours stand out? Ask yourself that question on a regular basis and you may just find yourself rising above the cookie-cutter mire of uninspiring scripts.

Amazing Script Reads for Aspiring Screenwriters

Internet advice is flung at you just about everywhere you turn, but how about just providing a few really good examples of excellent, tight, and well-structured screenwriting? That’s what I’m putting up today, a pair of really well-written scripts. I hope you enjoy them.

First is a recent 2014 Blacklist feature screenplay titled Bird Box. While the genre may not be everyone’s cup of tea, and people certainly argue over the story itself, no one I’ve spoken with disputes the quality of the writing. I highly suggest giving it a read.

Next is from TV-Land, Jon Bokenkamp’s pilot of the TV series “The Blacklist” (not to be confused with Franklin Leonard’s Blacklist). It’s a show that is impressive in both scope and pacing, with writing that is really top-notch. If you want to see why this was the best testing-rated pilot in the past 10 years at NBC then I suggest you take a gander.

I hope these inspire you. I know personally after the rush of reading these faded, I was quite motivated to get back to the keyboard and start cranking out more pages.

Scoring High on SpecScout

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After several revisions and some great notes from friends and co-workers, Living the Good Death was recently submitted to SpecScout for coverage. The result? It is one of the very few non-agency submitted scripts to score high enough to warrant listing on SpecScout’s pages. For comparison, Living the Good Death actually scored higher than an Austin Semi-Finalist and a Script Pipeline Grand Prize winner, both recently listed on SpecScout.

Another plus is Living the Good Death will now be highlighted in the next Scoggins Report.

Obviously I’m thrilled, and though a few folks have recently expressed some interest in the script, achieving this positive traction (the script received two “Recommend” and one “Consider” ratings) is a wonderful validation of a story I hold dear.

Whoopeeeee!!!

For writers looking for really good coverage, I highly recommend checking out SpecScout (and no, I’m not a shill or on their payroll in any way).  I’ve also used The Black List (this same script scored an 8 from an Industry Member) in the past but felt their coverage was quite sparse, even though the price is lower. Ultimately it’s up to you which, if any, service to get coverage from.

And now on to the fun part. Writing another one.

Living the Good Death – An 8 on The Black List

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Sharing a bit of good news.

I recently posted my supernatural romantic comedy Living the Good Death to The Black List after making some revisions to it following input from the site’s paid readers. Several really astute observations were made, and after thinking about them and making some changes, I finally arrived at a draft that I felt achieved my expectations.

The result? An Industry Member just rated it an 8.

Having a busy industry member choose to read the script of their own free will and enjoy it enough to take the time to rate it really brings me joy. We know how busy people are in this industry, so it means a lot to me.

I’d venture a guess that many of you would agree that whether or not a script is ever produced, just being able to entertain a reader with a story spawned from your noggin that they truly enjoy is a really good feeling for any writer. I for one hope to ride this wave of happy feelings well into the next script I’m currently outlining. Hopefully people will find that one enjoyable as well one day.

Screenwriting Contests: Worth It?

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Not too long ago, my pilot Blowback was a semi-finalist in the Industry Insider Television Writing Contest. I was elated. Even if I didn’t make it further in the rankings (no, I didn’t make the finals), it was still good to feel my concept was perceived as a viable television show (a very Burn Notice-esque show with a “Blue Skies” type appeal). Anyway, since then I’ve been looking into other contests and competitions to see which, if any, might be beneficial to enter my feature and pilot scripts.

We all know by now that there are a bevy of contests to enter, but so far as I can tell, only a handful appear to have a sound enough reputation to bolster your script by your doing well in them alone. Nicholl, Page, Trackingb, Austin, Blue Cat, those are among the handful that seem to have the clout to make that kind of a splash, but I think a common question we all have is is it worth submitting to others, especially the lesser known ones?

My personal opinion is unless you’ve got a track record, it can really be worth while to have your work judged completely objectively against your peers. More than just getting an idea if a particular coverage reader likes your work or not, a contest can give you something a Pass/Recommend doesn’t; namely an idea where your work stands when directly compared to others. If you make quarter or semi-finals, you know you’re on the right track. Make it to the finals or even place? That’s great validation of your work.

Another benefit is the ability to give someone a reason to go into your script hoping for or expecting a good read, not fearful of stumbling into a bad one. Which would you be more likely to assume will be at least a decent read, a Scriptapalooza semi-finalist or an unknown writer’s cold submission? Of course contests can be expensive, so we all have to decide if the benefit is worth the cost.

Now some people enter every contest under the sun, which is fine, but seems a tad excessive in my opinion. Personally, when I see a list of a dozen contests for one script I can’t help but feel the writer would be better served by listing the key wins or rankings, then offering further accolades upon request. Maybe it’s just me, but too many contests listed looks cluttered and just reminds me of resumé padding. Again, that could just be my skewed perception.

Ultimately there is no right or wrong answer. Contests are great for some and not for others, but I do believe there is something to be said for a competitive environment where you don’t just get notes, but also get to see where you stand in the pack.

A 9 on the Black List

Blowback 9 Rating

Validation!

Opening up gmail to read that my pilot script Blowback got a 9 on The Black List was a great way to start a day. While most of us alternate between love and hate of our own work (depending on mood, moon-cycle, and how much coffee we’ve mainlined), getting 3rd party approval of something I’ve labored on for months on end can be quite gratifying to say the least.

Of course I realize that one thing common on the Black List is how drastically ratings can vary from reader to reader. Having cycled several scripts through their site, I’ve certainly noticed that some readers will absolutely hate some aspects of a script that other readers will think are the strongest points.  My philosophy on this is to take everything, good or bad, with a grain of salt, and then really think about the points made in the critiques to try and improve my screenplay. Even some reviews that I haven’t agreed with ultimately wound up inspiring some minor tweaks.

For now I’m just going to bask in the glow of validation before hitting the bricks once more. Getting a 9 is certainly great, but it’s still an uphill slog to get a script out there and into the right hands. Of course meeting a bevy of interesting folks while pursuing those ends can be rewarding as well.